SummerLand – You can easily use analog chorusing to add gentle motion to a sustained chord, or pulsating punch to a rhythm track or distorted solo. This demo takes you through these various guitar sounds via different Speed and Intensity settings on the Analog Chorus.

Signal Path: ’54 Stratocaster Reissue (humbucker in bridge) Sparkle Drive EP-3 Echoplex (used for intro) Analog Chorus

Amp-Mics-Pre: 50-watt (modified) late-‘60s Fender Twin Reverb head 4×12 late-‘60s stock Marshall cab (25-watt Celestions) Close mic’d with a Shure Unidyne III SM57 (1073 Repro) Room mic’d with an AKG 414 (Avalon 737sp)

DOWNLOAD AUDIO: SummerLand

SpinningSpeaker – Another great sound is to use Analog Chorus for a rotating speaker sound. By putting the Speed and Intensity knobs full up, you can have some fun with this thick, Leslie-like tone. Play some expensive chords, turn the amp up and you’re ready to go.

Signal Path: Ibanez Hollowbody (175-sized) Analog Chorus

Amp-Mics-Pre: 50-watt (modified) late-‘60s Fender Twin Reverb head 4×12 late-‘60s stock Marshall cab (25-watt Celestions) Close mic’d with two Rode NTK Tube Microphones Avalon 737sp/1073 Repro

DOWNLOAD AUDIO: SpinningSpeaker

Analog Chorus Solo – Chord and single note guitar lines courtesy of Zappa plays Zappa guitarist, Jamie Kime.

Signal Path: ’54 Stratocaster Reissue (humbucker in bridge) Sparkle Drive Analog Chorus

Amp-Mics-Pre: 18-watt Budda Superdrive (series II) head 4×12 late-‘60s stock Marshall cab (25-watt Celestions) Close mic’d with a Rode NTK Tube Microphone (Avalon 737sp) Room mic’d with an AKG 414 (1073 Repro)

DOWNLOAD AUDIO: Analog Chorus Solo

Demo Clips by BLUES SARACENO

DOWNLOAD AUDIO: | Funky | Smooth | Vibro Leslie |